Visita alla Mostra di Alphonse Mucha – Roma

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Si è svolta il 25 maggio 2016 la visita guidata gratuita alla Mostra di Alphonse Mucha al Vittoriano di Roma.Visita Guidata Graduita alla Mostra di Alphonse Mucha - Roma

E’ stata un grande privilegio per noi poter offrire ai nostri Associati l’occasione di visitare una bellissima mostra di un precursone dell’Art Nouveau con la sapiente descrizione di Gianluca Pica, grazie all’aiuto dei Family Banker di Banca Mediolanum.

Due ore di percorso con circa 200 opere tra dipinti (come Self-portrait del 1899 e France Embraces Bohemia del 1918), manifesti (Poster for ‘Gismonda’ del 1894 e Sarah Bernhardt as La Princesse Lointaine del 1896), disegni (tra cui gli studi per ‘By force towards freedom, with love towards unity!’ del 1910-1911 e per ‘The Age of Wisdom’ del 1936-1938) e gioielli (quelli dell’Esposizione universale del 1900 come Ornamental chain with pendants e ‘Peacock ring’ entrambi del 1900)

In questa sequenza di immagini scattate durante e dopo la visita guidata, dimostra la viva partecipazione e interesse dei nostri associati.
Bellissimo l’allestimento offerto che ha messo ben in evidenza il percorso artistico del grande protagonista, promotore di un nuovo linguaggio comunicativo, di un’arte visiva innovativa e potente a cavallo tra l’800 e il ‘900.

Grazie anche e specialmente a lui la Belle Epoque ha conosciuto un grande innovatore e comunicatore.

Ringraziamo di cuore i Family Banker di Banca Mediolanum che hanno offerto l’ingresso e la guida, nonché l’aperitivo al termine, con l’affascinante affaccio ai Fori Imperiali di Roma.
Impagabile!!!!

Ci vediamo alla prossima iniziativa dell’Associazione Arts in Rome!

Pasquino: the statue which loves talk very much…

Statue Parlanti Roma - PasquinoWhen you stay in Piazza Navona you should go to the narrow street along the great palace which hosts the Brazilian Embassy. Go down that street until the final part of the huge building, and turn your eyes to the left: just above a basament you will find a not well preserved marble statue, with some little paper attached in its surface.
They are the words of the most famous “statua parlante” (talking staue), in Rome: its name is Pasquino

What is a “statua parlante”?

It’s a statue in which, over the centuries, were attached papers with satirical writings, mainly used against powerful men or women.
Bankers, Popes, Senators and other important people in Rome were put under the fire of that writings.

Why did they attache here? What is this statue?

It was discover at the final part of the XV century, during some excavations occured in that area to build a palace for a powerful cardinal: Oliviero Carafa.
Carafa family started to be very important in Rome, and this is the reason why a member of the family became Pope during the XVI with the name of Paolo IV.
Statue Parlanti Roma - PasquinoThe archeologists think that this sculpted group represents Patroclo and Menelao, two characters of the Iliade, the Homer’s epic poem.
You should know how in that period many schools stood in the area, and probably this is the origin of the legend of the “statua parlante”. Some nights strange papers started to appear above the face or the bust of the statue… but Oliviero Carafa, who was a clever man, knew that the Pasquino was very famous and popular in Rome, mainly in the poor part of the population.
For this reason he didnt’ destroy it and used it in a particular way. In fact, the cardinal decided to organize a sort of literary challenge: the students of the nearest school had to write whatever they want (histories, poems etc.) and the winner could have the privilege to see his work attached on the surface of the Pasquino!
So, the statue bacame more famous, while the satirical writings named “Pasquinate”, continue to “embellish” it. This is the origin of a real icon of Rome: it belongs to the Romans, that people who can’t stay in high social classes. That people who decided to use their voice in a very particularly way.
But there’s just a last question.

Why has Pasquino this name?

There’s a legend which claims how the student of a school not so far from the basament of the statue, had a laugh to a teacher. He probably had some phisical problem and for this reason he looks like the not well preserved sculpted group. “Pasquino” was a sort of insult…and the insults became the main peculiarity of this statue, the first “statua parlante” in the city (in Rome there are other five ones).

The Borromini’s lantern: the fire of the Knowledge

Imagine to walk peacefully throught the fine streets in the city centre of Rome.
Now, imagine to have to the right an open door.
Passing the entrance, you will stay just in the centre of a courtyard, surrounded by columns. But what is majestic and truly beautiful is a white and brilliant lantern set above a church in front of you.

That lantern, the architectural final part of a dome in a church, has a spiral shape, recalling movements and virtuosism. It isn’t a dream, but a true church which stands not far from Piazza Navona. This is the church of Sant’Ivo alla Sapienza, and the genius who created it and its wonderful lantern was one of the most important artists in Rome: Borromini

The Borromini’s lantern

Sant’Ivo alla Sapienza

It was a church projected during the XVI century, when all the area was under restoration.
What is foundamental to say is that this place was famous in Rome, just because it was the first headquarter of the La Sapienza University.
It was inaugurated during the first years of the XIV century by the Pope Bonifacio VIII, who wanted to show how the city could be the birthplace and the core of the Knowledge.
But over the centuries it was quite destroyed and abandoned.
This is the reason why in the Renaissance, a time in which whatever you want in Rome was restored and built, La Sapienza University was one of the palaces chosen for some restorations.

Cupola - Chiesa Sant'Ivo alla Sapienza

After many years the construction site wasn’t finish.
It was a huge problem, due to the image of Rome which had to indicate the city not only as the place of the Church, but also the refuge of Arts and Wisdow.

They could be created thanks to the deeds of the Christian Church and for this reason the sacred building was essential. Borromini started to work there with a simple aim: he had to built something that could remember to everybody the real symbols of the place.

The Lantern

We could speak a lot about the great project created by the master. How he was able to use geometrical shapes in order to produce a star map, how the inside of the church was so brilliant… but we have to put our attention to the fantastic lantern! An architectural element which connects the ground with the sky, with its curved lines and decorations.

What do it represents?

The lantern is the Fire of the Wisdow, but not only…it symbollically regains the Babele Tower, which was also a symbol of the human Knowledge. Moreover, the lantern regains also the Headlight of Alessandria, other human masterpiece.
So, in this way we could understand how Borromini played with the history and the traditions, in order to obtain something that managed to represent some of the most important human discretions.

Then, he was able to create something more: a new must see monument in Rome!

About Quirinale Hill! A new archaeological discovery

The House of Kings

Rome, an extraordinary discovery: back to light an ancient home of the VI century A.C.

colli-romani
Quirinale Hill – where is

colle del quirinale 2

The remains of an ancient mansion of the beginning of the sixth century a.C. have been found on the Quirinal Hill , in Palazzo Canevari, near Santa Susanna .colle del quirinale 4

 The discovery was made during excavations of preventive archeology of supervision and has been called very important for the good condition of the structure and because it was believed that the area was a cemetery.

One found is one of the oldest houses ever found in the capital, and dates back to Servius Tullius . The house, one of a kind when you consider the characteristics of the archaic style and the state of preservation , was quickly called

The house of kings ‘.

colle del quirinale colle dell quirinale 3

Sketch at Appia Antica

Sketch at Appia Antica - Rome Italy20th September 2015 at Appia Antica, II Miglio, Via Cecilia Metella

This is the second initiative of Arts in Rome Association, with the aim to approach the art lovers to Museums, Galleries and Churches, studying the Masterpieces, their history, drawing it with the help of Antonio Finelli Certificate Drawing Tutor

“The Queen of the Long Roads” (Appia teritur regina longarum viarum) this is how was called the Appia Antica Way, the most important Roman roads of the ancient republic reach of roman ruins.

Viandanti sull'Appia Antica" di Arthur John Strutt (1819-1888)

The Appian Way (Latin and Italian: Via Appia) was one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, Apulia, in southeast Italy. Its importance is indicated by its common name, recorded by Statius:

Appia teritur regina longarum viarum
“the Appian way is the queen of the long roads”

The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC during the Samnite Wars. (en.wikipedia.org/wiki/Appian_Way)

 When and How

G. L. Bernini - Salvator MundiWe meet Sunday 20th of September at 13:30 in front of the Basilica of St.Sebastian Fuori le Mura (Catacombe) each one equipped with a sketchpad, pencil and eraser.
We’ll visit the Basilica and, thanks to an exceptional authorization from the Parish Office, we’ll can sketch the famous Bernini’s busto titled “Salvator Mundi”.
Then we continue with the walk by feet along the Appia Antica Way to get to the Mausoleum of Cecilia Metella. We sit on the park in front of it and we start again to draw the landscape.
The teacher Antonio Finelli (www.antoniofinelliarte.it) will give you some hints of perspective and proportion.
The event will end at 17:00

Quick info

Date: 20 th September 2016 at 13.30
Location: Via Appia Antica, Basilica S. Sebastiano Fuori le Mura
Info:[email protected]
Info call: +39 328 1424 151
Path: total about 1,200 meters
Difficulty: Easy
Duration: about 3 hours
Inputs: Basilica of Saint Sebastian Outside the Walls, and Villa Circus of Maxentius.
How you get tohttp://www.parcoappiaantica.it/en/testi.asp?l1=1&l2=2&l3=1&l4=0
Parkinghttp://www.parcoappiaantica.it/en/testi.asp?l1=1&l2=2&l3=2&l4=0

A way to spend an afternoon in a spirit of Art

A Day at Centrale Montemartini Museum

Centrale Montemartini Rome
First Floor Roman Sculpture

Rome deserted; It is the Day after August and the weather is not too good…what can do? We decided to visit the Centrale Montemartini in Rome, Ostiense and I can say that we had a great idea! The Museum was born in 1997 as a result of exhibition called “The machines and the Gods” set up inside the first Roman Public Power Plant. A mix of industrial and classical architecture made harmonious in a single enviroment.

The wonderful museum space, for the first time conceived as temporary on the occasion of the return of a part of sculptures in the Capitolin Museums in 2005, at the end of renovation work, has been confirmed as the permanent collections of more recent acquisition of the Capitoline Museum.

Sketching at the Museum Centrale Montemartini Roma
Sketching at the Museum

Coming in the Museum the first impression you get is of a metaphysical and surreal enviroment;
it seems to be in a “Steam Punk” yarn, with giants machinery of old electric factory share against Busts, Semibusts made by white marble. Split into two levels the first is dedicated to friezes, monumental sculptures and sculptural heads while the second floor is devoted entirely to remains found in the Temple of Apollo Sosianus dating of the V century A.C., (near the Marcello’s Theatre) and you can also admire a beautiful mosaic rebuilt telling about “The Boar Hunt”.

What I was most intrigued by? Some wonderful discoveries of a colossal statue of a goddess, the statue of the Satyr Marsyas (see from Ovidio’s Metamorphoses book the story of “Apollo and Marsyas”) and finally the numerous busts of ancient roman soldier.

At the end of the tour in the museum, fortunately, we thought good to bring with us the sketchbook to do some draw and sketch of live statues!