Sketch at Appia Antica

Sketch at Appia Antica - Rome Italy20th September 2015 at Appia Antica, II Miglio, Via Cecilia Metella

This is the second initiative of Arts in Rome Association, with the aim to approach the art lovers to Museums, Galleries and Churches, studying the Masterpieces, their history, drawing it with the help of Antonio Finelli Certificate Drawing Tutor

“The Queen of the Long Roads” (Appia teritur regina longarum viarum) this is how was called the Appia Antica Way, the most important Roman roads of the ancient republic reach of roman ruins.

Viandanti sull'Appia Antica" di Arthur John Strutt (1819-1888)

The Appian Way (Latin and Italian: Via Appia) was one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, Apulia, in southeast Italy. Its importance is indicated by its common name, recorded by Statius:

Appia teritur regina longarum viarum
“the Appian way is the queen of the long roads”

The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC during the Samnite Wars. (en.wikipedia.org/wiki/Appian_Way)

 When and How

G. L. Bernini - Salvator MundiWe meet Sunday 20th of September at 13:30 in front of the Basilica of St.Sebastian Fuori le Mura (Catacombe) each one equipped with a sketchpad, pencil and eraser.
We’ll visit the Basilica and, thanks to an exceptional authorization from the Parish Office, we’ll can sketch the famous Bernini’s busto titled “Salvator Mundi”.
Then we continue with the walk by feet along the Appia Antica Way to get to the Mausoleum of Cecilia Metella. We sit on the park in front of it and we start again to draw the landscape.
The teacher Antonio Finelli (www.antoniofinelliarte.it) will give you some hints of perspective and proportion.
The event will end at 17:00

Quick info

Date: 20 th September 2016 at 13.30
Location: Via Appia Antica, Basilica S. Sebastiano Fuori le Mura
Info:[email protected]
Info call: +39 328 1424 151
Path: total about 1,200 meters
Difficulty: Easy
Duration: about 3 hours
Inputs: Basilica of Saint Sebastian Outside the Walls, and Villa Circus of Maxentius.
How you get tohttp://www.parcoappiaantica.it/en/testi.asp?l1=1&l2=2&l3=1&l4=0
Parkinghttp://www.parcoappiaantica.it/en/testi.asp?l1=1&l2=2&l3=2&l4=0

A way to spend an afternoon in a spirit of Art

A Day at Centrale Montemartini Museum

Centrale Montemartini Rome
First Floor Roman Sculpture

Rome deserted; It is the Day after August and the weather is not too good…what can do? We decided to visit the Centrale Montemartini in Rome, Ostiense and I can say that we had a great idea! The Museum was born in 1997 as a result of exhibition called “The machines and the Gods” set up inside the first Roman Public Power Plant. A mix of industrial and classical architecture made harmonious in a single enviroment.

The wonderful museum space, for the first time conceived as temporary on the occasion of the return of a part of sculptures in the Capitolin Museums in 2005, at the end of renovation work, has been confirmed as the permanent collections of more recent acquisition of the Capitoline Museum.

Sketching at the Museum Centrale Montemartini Roma
Sketching at the Museum

Coming in the Museum the first impression you get is of a metaphysical and surreal enviroment;
it seems to be in a “Steam Punk” yarn, with giants machinery of old electric factory share against Busts, Semibusts made by white marble. Split into two levels the first is dedicated to friezes, monumental sculptures and sculptural heads while the second floor is devoted entirely to remains found in the Temple of Apollo Sosianus dating of the V century A.C., (near the Marcello’s Theatre) and you can also admire a beautiful mosaic rebuilt telling about “The Boar Hunt”.

What I was most intrigued by? Some wonderful discoveries of a colossal statue of a goddess, the statue of the Satyr Marsyas (see from Ovidio’s Metamorphoses book the story of “Apollo and Marsyas”) and finally the numerous busts of ancient roman soldier.

At the end of the tour in the museum, fortunately, we thought good to bring with us the sketchbook to do some draw and sketch of live statues!